SoundCloud Pro comes in two tiers: SoundCloud Pro and SoundCloud Pro Unlimited. Go to the Files section to view your downloaded songs. You can add a song to a playlist using the Share button. To make this app a music player you can use, there's a playlist feature. You must need the "Free Music Download app" & Tap the Share button and Tap the Download button. Click the share button, and in there, you will be able to see an option "Copy Link," click on that and open KlickAud and paste the SoundCloud URL and click the "Download" button!! How do I download Soundcloud tracks to my iPhone? Can you download music from SoundCloud app? To download SoundCloud mp3, just paste its URL/link in the above text box and click on the "Download" button. Can you download music from Sound Cloud for free? But by using KlickAud, you can download SoundCloud songs completely for free!!. It is done through the SoundCloud Pro App, and you need to pay for it.
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If you want to make the document fillable for others and share it, you can use the tools on the right and add different fillable fields, signature and date, text box, etc.).Īside from the capabilities mentioned above, you can safeguard your file with a password, put a watermark, convert the file to the needed format, and much more. Use the toolbar on the left if you wish to re-order the document or/and delete pages. The top toolbar comes with the features that help you highlight and blackout text, without images and visual aspects (lines, arrows and checkmarks etc.), add your signature to, initialize, date the document, and more. We’ll take a look at three main parts that let you: The editor features a self-explanatory interface, so it won't require much time to learn how to use it. Let’s examine our online editing capabilities and their main features. All the needed features will be readily available at your disposal once you open the file in the editor. Moreover, you don't need to print out the document or use third-party options to make it fillable. We offer a wealthy template-based library of ready-to-use paperwork you can modify and complete online. If you want to complete and certify Federal Resume Template Download online without any inconvenience, then our online cloud-based solution is the way to go. Complete Federal Resume Template Download with our reliable solution that comes with editing and eSignature functionality}. Put the right document management capabilities at your fingertips. How to edit Federal Resume Template Download: customize forms online Join us today and get access to the top library of browser-based samples. There are already over 3 million people taking advantage of our unique library of legal forms. Download the ready-produced record to your system or print it as a hard copy.Įasily produce a Federal Resume Template Download without having to involve specialists.Simply click Done following twice-checking everything.Include the date and place your e-signature.Change the template with smart fillable fields.Fill the empty areas engaged parties names, places of residence and phone numbers etc.
Flexible days: Individual employees would work the 4/10 schedule but choose their day off (some would take Mondays, some Fridays, etc.).Here’s what the 4/10 schedule looks like on a weekly basis:Ī flexible 4/10 schedule could mean a few different things depending on the company: The most common choice is to make Friday a non-working day. Everyone works the same 10 hours for four days per week. This is the standard template that I defined above. See Also: The 10-Hour Shift Schedule: 4 Free Excel Templates Here are the typical schedules that are used from most common to least. The 4/10 schedule exchanges longer hours for fewer days. You may have heard it called a compressed schedule, as well, since the schedule packs 40 hours of work into four days rather than five. There are a few different ways to manage the 4/10 schedule. These would be the typical days off for a company using this schedule.ĭownload the image | Use the template in Canva Fridays off are marked in green and US federal holidays marked in blue. Here is a 2023 calendar for the 4/10 week. Use the links below to jump to a section that interests you the most. In this article, we break down everything you’ll need to know about and implement the 4/10 schedule. And it looks like you may want to learn more about the 4/10 work schedule. Since you’re reading this article, I can assume you’ve made the giant step of questioning your standard work week. The 4/10 work schedule consists of four, ten-hour work days (typically Monday – Thursday) followed by a three-day weekend (typically Friday – Sunday). Print quality was fab and identical to the website images. I liked the fact that you can do any name, as it adds that person touch, as my daughters name is unusual. 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I wanted a 75-100 picture montage so I could use and see all the pictures I take on my phone. iPiccy offers a bunch of different tools to enhance your pictures and customize your collage. Top quality - only with the delivery by UPS not entirely Rieden. Easy handling, super fast processing and delivery. * Please note that Wrestling Revolution depicts a fictitious universe and is not affiliated with any real wrestling promotions. If you find that your device struggles when viewing the many character slots, consider switching to "Basic" text and turning off the "Portraits". Consider turning off secondary characters as well. If you know your device can only handle a certain number of wrestlers onscreen, please specifiy this limitation in the "Display" options. Touch any other static screen to proceed as soon as possible. Touch any speech bubbles to speed up conversations. From that screen, touch the table icon to add weapons and touch the ring icon to edit the arena. When setting up an exhibition, touch a character to replace them and touch the match title to change the rules. Touch your character to edit them, touch their stats to train them, touch the company logo to view the whole roster, touch the match title to see an exact description of the rules. At the calendar screen, touch any date to view its contents. Move it to the company logo to switch rosters. Hold your finger over a character slot to move it and switch with another. Touch the company logo to choose a different roster. When selecting characters, touching their slot once will display their stats and touching again will proceed to access them. Touch either side of a value or box to browse its contents left or right. Touch the clock to PAUSE the game, and then the arrow to EXIT. PART your fingers to taunt, pin, or cancel an action. In the absence of any legitimate recipes, it is possible to combine random objects to. TAP your opponent to attack that part of their body. - You can now perform more actions while sitting down - such as picking up, dropping, and even crafting - Getting out of a seat with a direction requires you to hold it for a split second. TOUCH anywhere in the arena to walk towards it. This torch can then be used to set fire to a larger item using the same command. * To set fire to a handheld weapon, press the R (Run) and P (Pick-Up) buttons simultaneously next to one on the ground. Please play through the tutorial for further instructions.Ī = Attack (with a direction to aim high, without to aim low) Or simply blow off steam in "Exhibition" matches of your own creation - where YOU make the rules, pick the players, and design the arena! Upon turning "Pro", your editing privileges even extend to saving your changes to all 350 characters across 9 rosters. It harks back to the genre's 16-bit heyday where the fun comes first, and the versatile animation system means that anything could happen at any moment - with as many wrestlers in the ring as your device can handle! Create your own star and embark on an endless career full of possibilities, as you attempt to make the right moves backstage as well as in the ring. The original 2D wrestling game that started a mobile revolution - now celebrating over 10 MILLION downloads! It counts how many times a value is repeated in a table. Awesomely enough, the rle function in R will be of great help to us in this endeavor. With the originating airport duplicating across all of the airlines, it would be nice if we could reduce this duplication and just bold PDX or SEA and have each appear once. If you don’t know LaTeX, I’ve also duplicated a similar table using kable for you to compare: kable(by_airline) print(xtable(by_airline),ġ & PDX & AS & 12844 & Alaska Airlines Inc.Ģ & PDX & WN & 11193 & Southwest Airlines Co.ģ & PDX & OO & 9841 & SkyWest Airlines Inc.Ĥ & PDX & UA & 6061 & United Air Lines Inc.ĥ & PDX & DL & 5168 & Delta Air Lines Inc.ħ & PDX & AA & 2187 & American Airlines Inc.Ĩ & PDX & F9 & 1362 & Frontier Airlines Inc.ġ1 & PDX & HA & 365 & Hawaiian Airlines Inc.ġ2 & SEA & AS & 49616 & Alaska Airlines Inc.ġ3 & SEA & WN & 12162 & Southwest Airlines Co.ġ4 & SEA & DL & 11548 & Delta Air Lines Inc.ġ5 & SEA & UA & 10610 & United Air Lines Inc.ġ6 & SEA & OO & 8869 & SkyWest Airlines Inc.ġ7 & SEA & AA & 5399 & American Airlines Inc.Ģ1 & SEA & F9 & 1336 & Frontier Airlines Inc.Ģ2 & SEA & HA & 730 & Hawaiian Airlines Inc. We will focus on producing the LaTeX code in this example. The xtable package and its xtable function (and also the kable function you saw earlier) provide the functionality to generate HTML code or LaTeX code to produce a table. data("airlines", package = "pnwflights14")īy_airline % group_by(origin, carrier) %>% We merge the flights data with the airlines data to get the names of the airlines from the two letter carrier code. The xtable package to produce nice tables in a PDFĪgain, we find ourselves using the extremely helpful dplyr package to answer this question and to create the underpinnings of our table to display. If you click on the max_delay column header, you should see that the maximum departure delay for PDX was in March and for Seattle was in May. The created table in HTML is available here. (An excellent tutorial on DT is available at. Go ahead and play around with the filter boxes at the top of each column too. I’ve specified a few extra options here to show all 12 months by default and to automatically set the width. The DT package provides a nice interface for viewing data frames in R. Summarize(max_delay = max(dep_delay, na.rm = TRUE)) dep_delays_by_month % group_by(origin, month) %>% In order to answer the second question, we’ll again make use of the various functions in the dplyr package. Surprisingly, the airport in Bellingham, WA (only around 100 miles north of SEA) had the fifth largest mean arrival delay. Houston also had around a 10 minute delay on average. Oddly enough, flights to Cleveland (from PDX and SEA) had the worst arrival delays in 2014. Lastly we output this table cleanly using the kable function. Rename("Airport Name" = name, "Airport Code" = dest, "Mean Arrival Delay" = mean_arr_delay) data("airports", package = "pnwflights14") Here we will do a match to identify the names of these airports using the inner_join function in dplyr. One of the other data sets included in the pnwflights14 package is airports that lists the names. This information is helpful but you may not necessarily know to which airport each of these FAA airport codes refers. Summarize(mean_arr_delay = mean(arr_delay, na.rm = TRUE)) %>% # List of packages required for this analysis We begin by ensuring the needed packages are installed and then load them into our R session. (More information and the source code for this R package is available at. In what follows, I’ll discuss these different options using data on departing flights from Seattle and Portland in 2014. One of the neat tools available via a variety of packages in R is the creation of beautiful tables using data frames stored in R. The rope will be long or short depending on its X position. Its X position determines whether it will be brown or checkerboard the latter uses GFX05, while the former uses GFX12 or 13. This platform will not move until stepped on. This line-guided platform moves automatically. It will always be green if placed in the level by itself.Įach of the skulls counts as a separate sprite when determining how many sprites are allowed on the screen at once. This sprite's palette is set by the tiles that spawn it. This sprite was unused in the original SMW.įor this sprite to show up properly, the sprite memory setting must be 01 (or 10 if using No Sprite Tile Limits). If sprite buoyancy is not enabled, instead of floating, this sprite will stay in air and move forward slowly once stepped on. Sprite buoyancy must be enabled to ensure that this sprite will function properly. The last tile of the sprite is X-flipped the hex edit at $01:B79D fixes that. Turn block bridge, horizontal and vertical Moves approximately 5.5 tiles and starts out going up. Moves approximately 5.5 tiles and starts out going left. Moves approximately 4 tiles and starts out going left. Might not look right in-game if not placed where the background is completely black.įor best results, should be placed over top of extended object 4A and not on a screen or subscreen boundary. Jumping Piranha Plant that spits fireballsĭon't let this sprite hit the ceiling it will glitch through unless you use this patch. This applies to the other Monty Mole also.ĭon't let this sprite touch a solid object during its jump, or it will get stuck. Its X position determines whether to follow the player or walk with a hop. The fish is tileset-specific if it drops into water. It will spawn a shell-less green Koopa, green Koopa, fish, or Goomba depending on its X position. Standard (GFX00/01) or tileset-specific (GFX13) The player will not do the level-end "victory walk" if this sprite is used in a vertical level. This fish swims back and forth and then jumps straight up, but it does not need to be placed in water to work. When placed in Lunar Magic by itself rather than being spawned from a block, this sprite has no time limit. X position determines whether it is blue or grayĭolphin that swims and jumps in one directionĭolphin that swims and jumps back and forth X position determines whether it moves clockwise or counterclockwise. X position determines whether it moves vertically or horizontally. Moves 4 tiles, going right or down first. Uses palette E the sprite palette should be set to 5 to make it look best. Like sprite 2D, will always be green when placed in Lunar Magic and should not be used anywhere another Yoshi might come across it. Like sprite 20, it will be stationary if placed in the level without being spawned. Sprite buoyancy MUST be on for this sprite to work. The actual fireball graphics are non-tileset-specific it's the lava splash that requires certain GFX files. If this sprite is used in a sublevel where the overworld level was 10D, it will throw bones as well (and require GFX03). Should not be used anywhere an adult Yoshi might come across it. Will always be green when placed in Lunar Magic. X position determines whether it will be red, blue, yellow, or blue Lemmy and Wendy are the only ones that do not require special boss levels to function.Ĭan be made non-tileset-specific with the hex edit at $01:8E93 (or by using the Piranha Plant Fix patch) Must be placed at X position 0C Y position determines which Koopa Kid it is. X position determines whether it will be above or below the net Will remain stationary if placed in the level without being spawned by another sprite X position determines whether it is a normal Lakitu or a Fishin' Lakitu Y position determines if it bounces high or lowĪlso found going vertically and diagonally There are 245 insertable sprites in the normal game, and Custom sprites can be inserted using Sprite Tool (such as PIXI or GIEPY). There are also Overworld sprites, which are, as the name implies, sprites that function on the overworld map. There are many types of sprites: Regular sprites, Generators, Shooters, Cluster Sprites, Extended sprites, Minor extended sprites, Score sprites, Bounce sprites and Spinning coin sprites. Sprites have the ability in Super Mario World to move and animate freely. In its own peculiar way, Henson’s black is as unique an achievement as, say, Robert Ryrnan’s white. It looks as solid as lead, a physical threat to the teens it blankets, and at the same time it’s as if the blackness were exuded by their bodies, forming a kind of paranormal manifestation of some feeling too intense and guarded to register in any other fashion. It’s a black that seems both to be caked on the surface of the photographs, like tar or centuries of soot, and to recede infinitely into the background. What becomes apparent when you see Henson’s work in person is the importance of the almost pitch-black darkness that, in whatever formal context he has devised over the years, always cloaks his forlorn, defiantly unneedy subjects, giving their run-down urban environments the look of remote desert outposts. In this recent work, boys and girls stand, sit, and lounge around alone or in seemingly romantic couplings, their averted faces revealing emotions so deep, mixed-up, and masked in achy casualness that one searches the photographs’ compositions and patina for the aesthetic system that makes such intimacy possible. And by the time he had his long-delayed solo gallery show in 1999 at Karyn Lovegrove in Los Angeles, the experiments with collage and multipaneling had given way to large framed photographs that engaged even more unobtrusively with the psyches of his young subjects. Again, as in Henson’s almost too blatant parallel between the superficial spoils of the privileged and the ruined internal lives of the young and disenfranchised,his aggressive cuts and reassemblages bordered dangerously on a dumbass, obvious way of signifying his subjects’ interpersonal agonies yet some depth of understanding and level of finesse at which the reproductions could only hint left an almost addictive longing to search out these pictures and deconstruct their effect.ĭespite the Biennale exposure, it would be another six years before I would see Henson’s work in America. It was as if the orgy in Antonioni’s Zabriskie Point had gone on past the point of exhaustion and into some posterotic realm where sex was the only cure for unquenchable loneliness. In place of the multipanel photographs from the ’80s there were autonomous, single-frame images containing pictures, violently cut-up and then collaged, of young, pale, faceless bodies fucking, sometimes in large groups, in dark, apparently cavernous locales. By then, his work had phased into something more sexually explicit and emotionally diffuse. In 1995, there was a rare Henson sighting in the form of another catalogue for the photographer’s aforementioned Australian pavilion exhibit in Venice. The experience of being haunted by reproductions of contemporary artworks, with no real hope of comparing them to the originals, or investigating the work’s context, or having even a small library of criticism against which to check one’s opinions, constitutes an odd and not unpowerful dilemma-one that living in the art-importing center of the world normally prevents. Yet there was a purity of intention that turned these heavy-handed gestures into acts of moving, even desperate complicity, the way an opera’s rigorously expelled emotion can turn its overstated musical phrasings into profound instruments. The dichotomy between luxurious empty decors and undressed tormented characters was over the top, to be sure. Unlike the subjects in Clark’s or Goldin’s similarly populated work, Henson’s figures were approached with such unreserved empathy and preserved with such an artfully impersonal, elegant visual luster that they became strangely interchangeable with their lavish architectural counterparts. The teens appeared to be addicts, prostitutes, and runaways snapped at moments of intense self-mourning. The catalogue featured a then-fresh series of diptychs and triptychs that juxtaposed portraits of naked, dirt-smudged teens looking almost like coal miners with images depicting the interiors of palatial homes filled with antiques and old master-ish paintings. In the mid-’80s he began to produce color photographs focused almost exclusively on introverted, compellingly beautiful teenage outsiders and the abandoned buildings, vacant lots, and deserted back roads that formed their turf. In the ’70s and early ’80s he was known for his black-and-white, mock-candid, quasi daguerreotype images of self-absorbed individuals lost in crowds or striking solitary expressive poses in gloom-shrouded voids. Just prior to the appearance of that catalogue, a permanent realignment had taken place in Henson’s work. Yet when the heart takes over the mind, the outcome is a mindless tragedy. Savdhaan India: Crime Alert (TV Series 20122018) Poster. Misunderstood, unresolved callings of the heart. Savdhaan India: Crime Alert (TV Series 20122018) Cast credits. Crime Patrol Dastaak, Code Red, Crime Patrol. It is difficult to comprehend the damage, but the cracks are there.Feelings. Worked as Associate Creative Director in Colors Reality Show Khatra Khatra Khatra Season-2. It is difficult to understand the intentions but the hints are there.In a house a husband and wife argue, fight. That gaze, that quirky smile, that persistent stare which unnerves. Every crime ignites a feeling, "It should not have happened".Would knowing the "Why" behind a crime, help in stopping a crime from happening?"I don't like the way he looks at me", "I don't like the way he/she is behaving", "I think he/she is out of his/her mind", "I think he/she has gone crazy". Crimes that tell us lives could have been saved.Every crime we hear of, either warns us to be careful or scares us, it could happen to us. Crimes that tell us, we need to be careful, we need to be watchful. Samar succeed in stopping the unstoppable corruption which takes place in medical field?Ĭrime Patrol coming back in its 4th season attempts to bring stories of crime happening all around the country. Samar and forces Cops to reopen the case. Awasthi dies due to severe stroke and court shuts the case but this does not go too well with Dr. Samar to take his share and stay out of this matter but Dr. Awasthi who is a root cause of all evil bribes Dr. over billing thus he pressurizes Chief Medical officer V.N. Samar working in Haripur Hospital gets a huge shock when he observes medicine reports where he comes to know that the medicines which are supplied in the hospital are charged 4 times higher than it's orignal price i.e. Data is not comfortable with that and refuses, only to find his final recourse to resign isn’t an option to him as he is seen by Starfleet as property. Read more – The Troubled Production of Star Trek: The Motion Pictureĭata is ordered to undergo dismantling so that Commander Maddox of the Daystrom Institute can study him. Season 2 Episode 9: The Measure Of A Manįrom one episode that is crucial to others but considered purely on its own merits is a debatable entry on this list, to an episode that absolutely belongs in the top 2 stories – and one that rivals even Best Of Both Worlds (yes, I said it!) This may be a debatable inclusion in a pure top 25 episodes by quality alone, but the groundwork laid in this episode, for more than one foe of the Federation, is vital to the vast majority that follows in not only Next Generation, but Deep Space Nine and Voyager, too. ’80s serial guest star Peter Mark Richman makes the most of his scenes, while the appearance of the Romulans in the form of Commander Tebok, played by Marc Alaimo, who would go on to be not only the first Cardassian we’d see, but then Gul Dukat in Deep Space Nine. Read more: The Most Important Star Trek Original Series Episodes Meanwhile the Enterprise is to rendezvous with a Romulan vessel after decades without contact, only for the results of shared data about attacks along the neutral zone to usher in a serious sense of foreboding. The trio attempts to acclimatize to the twenty-fourth century, and the massive change in human culture. Season 1 Episode 26: The Neutral Zoneĭata finds a long-lost Earth capsule that literally has the past inside in the form of three easily cured cryogenically frozen patients from the early twenty-first century. Overall, this is a well-written episode with some effects that look a little… well ’80s now – exploding meat-pack included. This is the episode where phasers appear to be a little bit tortuous and not as efficient as they should be (though to be fair in early Next Generation they do look like Dustbusters) and do an awfully good impression of the Veron-T Disruptor (see Season 5’s The Most Toys). I warn you though, this episode has a complete lack of any light-heartedness and is very much a dramatic presentation. As such, it’s quite obvious things have settled down and both cast and crew are more confident in what they are doing. The story sets up quite a bit that comes afterwards, and fortunately comes towards the end of the generally lackluster first season. Read more: Everything You Need to Know About Star Trek: Discovery Season 3 The episode is memorable for not only killing off a member of the main cast (one not even wearing a red shirt!) but also for the almost inconsequential way in which the death occurs. This list is presented in a viewing order I would suggest, and is primarily in production order as they flow better that way, rather than in a rank order. As with most episodes of Star Trek TV shows, the live-action footage was captured on 35mm film, and thus the restoration work done on the negatives looks fantastic in HD. If you are able, I would also recommend watching episodes of The Next Generation in remastered form on Blu-ray, even with the minor changes to the effects shots, as in more than one case this has corrected an actual error. And Justice (S1)… A “10 episodes to avoid” might have legs actually… But I digress. If you get a chance, try to watch the majority of all 7 seasons at some point… but by the Great Bird of the Galaxy avoid Shades Of Grey (S2). The only rules in place are that they have to be from the TV series (no films), and multi-part episodes count as one story (even if an episode is pretty much an epilogue). If you only ever watch 25 stories from Star Trek: The Next Generation, these are the ones to do it with, at least in my opinion. |
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